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Nov 06, 2024

Best studio monitors 2024: Studio speakers for music production | MusicRadar

A comprehensive guide to the best studio monitor speakers for home studio recording, whether you’re a beginner or pro producer – including Yamaha, IK Multimedia, Focal and more When you purchase

A comprehensive guide to the best studio monitor speakers for home studio recording, whether you’re a beginner or pro producer – including Yamaha, IK Multimedia, Focal and more

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Good monitoring is a crucial component of the mixing process, and you need to be able to hear your tracks in intricate detail to make the right decisions when applying EQ, compression, and any other technique to manipulate sound. So if you're serious about making great mixes, then you need a set of the best studio monitors in your setup.

In 2024, the choice for producers and mix engineers when it comes to studio monitors is positively paralyzing, so picking the right one for your use case can be tough. Lucky for you we've reviewed a myriad of monitoring systems here at MusicRadar, and we're here to help you make the best buying decision for your needs. We robustly test studio monitors by using them in a multitude of mixing, mastering, and monitoring scenarios, as well as running plenty of mix references through to put them through their paces. This allows us to get a great overview of how they perform in a variety of circumstances.

If you're not sure how to tell your woofers from your tweeters, then make sure to have a look at our in-depth buying advice section, which has loads of common questions answered by expert musicians and mixers here at MusicRadar. If you already know your frequency range from your frequency response, then keep scrolling for our top studio monitors available today.

Best budget

With this pair coming in cheaper than the majority of individual monitors, the M-Audio BX4s are the perfect option for the budget-conscious mixer who needs articulate sound for less.

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Best under $500

You can get a surprisingly good pair of monitors below the $500 mark these days, and we'd go for the Adam Audio T5V, with their precise top end making them great for mixing.

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Best for home

One of the most popular studio monitors for electronic music production, the KRK Rokit's distinctive yellow cones are feature-packed and great for smaller home studio setups.

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Best for mixing

If you want to hear everything that's wrong with your mix, the Yamaha HS5's ultra clarity and transparency will ensure you can get on top of any issues whether mixing or mastering.

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Best compact

If you're looking to get a good monitoring set up but you're short on space, then the IK Multimedia iLoud MTM offers the perfect balance between size, audio quality, and affordability.

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Best beginner

If you're looking for your first set of studio monitors, we'd go for the JBL 305P MKIIs, which deliver excellent quality sound, easy usability, and all under the umbrella of a fantastic price point.

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Best high-end

If you're looking to step up from a less expensive set of studio monitors, then the Focal Shape 65 offers audiophile quality without being totally out of reach in terms of price.

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Best pro option

For pro levels of balance and clarity, the Focal ST6 Twin6 delivers a breathtaking soundstage and wide stereo image and is made with the best materials and robust build quality.

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Best for guitar

With many guitarists opting to use amp modellers, a set of studio monitors are now a necessity, and for us, the Kali Audio LP-6s combines excellent value with great sound for guitarists.

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21/03/24: We further improved the navigation of the page, adding more categories catered towards different use cases. Certain entries have moved to a new 'also tested' section. We've removed any additional text that didn't contribute directly to the products and added two new products, the JBL 305P MKII, and Kali Audio LP-6 studio monitors.02/11/23: We have recently improved the navigation of this page, so hopefully it is now easier than ever to find the perfect pair of studio monitors. Want to get to the good stuff without reading walls of text? Use the "quick list" section to get to know our top choices without any fuss. There are also links to read a more detailed review of each model if you'd like to learn more.

Our expert review:

✅ Buy if you want a budget studio monitor: This pair of monitors costs less than most single monitors from other manufacturers, making them great for those on a budget.❌ Avoid if you like a big soundstage: These are on the smaller side of the spectrum, which means they don't deliver quite as large a sound as others.

From their famous Oxygen MIDI controllers, M-Track digital interfaces, and robust studio monitors, M-Audio is the go-to company for many budding producers looking for high-quality, affordable home studio products.

The BX4 are the latest offerings from M-Audio and we feel they are a fantastic option if space is an issue. The compact 4.5” (BX4) Kevlar LF drivers and 1” silk dome tweeter offer a surprisingly good bass response and precise high-end frequencies - especially considering the price.

For us, these are perfect for the beginner producer. They are simple to set up, look great, and, most importantly, sound phenomenal.

Read our full M-Audio BX4 review

Our expert review:

✅ Buy if you want great monitoring for less than $500: Great for beginners or those with a bit more experience on a tighter budget, these monitors from Adam Audio deliver fantastic monitoring that won't break the bank.❌ Avoid if you like controls on the front: Not everyone wants to reach around the back to make adjustments, so if you don't fancy doing that avoid these.

One of the most affordable Adam monitors to date, the T5V is built around a 5-inch woofer and Adam’s U-ART (Unique Accelerated Ribbon Tweeter) tweeter. This Class-D powered two-way design with rear-ring bass reflex is the smaller of the new T Series designs.

Sonically, the top-end is very well-tuned, while the HPS waveguide delivers a broad horizontal sweet spot. This contributes greatly to the overall imaging and separation, which is excellent. Although the cabinet is quite deep, front to back, the units feel compact.

The low mid-range frequencies could be more prominent, but this certainly isn't a deal-breaker, and by setting the LF EQ to -2dB we achieved a much better result. Adam’s desire is to make the T5V your first Adam monitor, and judging by what we’ve heard here, it could easily make you a fan for life.

Read the Adam Audio T5V review

Our expert review:

✅ Buy if you want to make electronic music: The bass response on these monitors makes them great for low-end heavy genres and electronic music.❌ Avoid if you're mixing rock: Non-EDM-based musicians may find the low end a little bit too hyped here for more traditional instrumentation.

If you've ever stepped foot inside the studio domain of an electronic music producer, the chances are you're familiar with the famous yellow speaker cones of KRK. The Rokit series - now in its fourth generation - is the Gibson-owned brand's affordable nearfield range, and has a selection of neat features which make it worthy of note.

For starters, the G4 range is among the first monitor series at this price bracket to include a graphic EQ function on the speaker itself. In-built digital signal processing (DSP) offers a suite of tools, including a room analyser, to ensure the speakers' output compensates the space you're mixing in for any dead zones or sonic blind spots you may be unwittingly harbouring.

In our tests, the KRK Rokits came out on top as one of the best studio monitors for smaller studios, and for us, they are ideal for anything bass-heavy.

Read the KRK Rokit G4 review

Our expert review:

✅ Buy if you want an honest pair of monitors: Doing little to hype your sounds, the HS5s deliver an honest picture of your mix, meaning if they sound good here they'll sound good anywhere.❌ Avoid if you need big low-end: Due to the size these don't deliver quite as much low end as other, larger monitors, so look elsewhere if you like things bass-heavy.

Some of the most popular studio monitors around, the Yamaha HS5s are a great choice for mixing duties due to their reliably honest sound reproduction. They're incredible value for money and perfect for those who want to go down the route of mixing and producing music.

The famous story about the old Yamaha NS10 studio monitors, which these are based upon, was that they were chosen not because they sounded great, but because they didn't. The theory is that if you could mix a track to sound good on them, you could be confident it would sound good anywhere and the same applies to the HS5. They won't flatter your mixes in the slightest.

The Yamaha HS5 series are reference speakers that are built solely with mixing and monitoring in mind. There's no Bluetooth or graphic EQ, and room correction is basic at best. For sheer accuracy, however, they're hard to beat at this price range. Get your mix right on these and it'll sound fantastic anywhere.

Read the full Yamaha HS5 review

Our expert review:

✅ Buy if you need a compact studio monitor: The small size of these monitors means they'll fit in pretty much any setup, no matter how small.❌ Avoid if you're in a big room: Conversely, the small size means they won't fill out as much if you're mixing in a larger room.

IK’s latest addition to its growing monitor range, the iLoud MTMs are crammed with tech that belies their relatively low price point. The ‘MTM’ bit refers to the D’Appolito configuration, which, in this case, places a 1” tweeter in between two 3.5” mid-range woofers, with a bass reflex port around the back. Everything is DSP-controlled and they can be calibrated to suit your room courtesy of IK’s proprietary ARC calibration system, which is built right into the speakers and the measurement mic comes bundled as part of the package.

The MTMs are clinical and brutally ‘honest’ and take imaging to a level that we’d expect to hear from monitors costing three times as much. Subtle mid/high details that previously went unnoticed become perfectly audible, making corrective targeting of individual elements within the mix almost supernaturally easy. Low-end solidity and control are remarkable for a speaker of this size, too, and they never really seem to get fatiguing.

For those with limited desk space, or seeking a surgical secondary pair to their main ‘fun’ monitors, the iLoud MTM really is a truly incredible solution.

Read the full IK Multimedia iLoud MTM review

Our expert review:

✅ Buy if you want your first set of monitors: Perfect for beginners, these monitors provide excellent sound, ease of use, and a wide sweet spot making them great for budding mix engineers.❌ Avoid if you need low-end detail: As is the case with smaller speakers, the size means you'll need to resort to using headphones to examine the low end in detail.

If you’re looking to get your first set of studio monitors then we’d highly recommend the JBL 305P MkII. As well as being fantastic value for money they deliver articulate sound that’s perfect to get beginners mixing their own music.

We found the sweet spot surprisingly wide considering the price point, which means you’ll get a great listening experience even if your setup isn’t quite perfect. They’re nicely balanced between low-end and high frequencies too, making them great for long periods of listening.

Handy EQ controls on the back allow you to adjust the sound to your setup, so you can trim the bass if the speakers are placed on a desktop, or close to a wall. On a pair of stands, we found there was a nice balance that didn’t require much tweaking, another tick in the box that makes these great for beginner mixers.

Our expert review:

✅ Buy if you want to upgrade your current monitors: If you already have a set of studio monitors and are looking for something better, these are a fantastic high-end option.❌ Avoid if you don't want automatic bypass: The automatic bypass function can be annoying in longer mix sessions, as your speakers automatically turn off after 30 minutes of inactivity.

Available in 40, 50 and 65 flavours, the latter of which we’re reviewing here, the Shapes, from Focal, now sit between their budget-friendly Alpha series and the Solo6 Be - another 6.5" two-way monitor - in terms of price.

Aesthetically, the Shapes are an interesting departure from Focal’s other designs. The main speaker cabinet is black-painted MDF with a luxurious walnut veneer, appearing less ‘studio spaceship’ and more ‘hi- connoisseur’ – in fact, they’d look just as at home in a domestic cinema setup as in a production environment.

Interestingly, the Shapes are non-ported, with dual 6.5" passive radiators (one on each side of the monitor).

Read the Focal Shape 65 review

Our expert review:

✅ Buy if you have a properly treated studio space: These are professional-level monitors designed for use in properly treated spaces, perfect if you've just moved to a bespoke studio space.❌ Avoid if you're mixing at home: These speakers are not only huge, but they're loud too and won't do well in small or badly treated home studios.

One of the most affordable Adam monitors to date, the T5V is built around a 5-inch woofer and Adam’s U-ART (Unique Accelerated Ribbon Tweeter) tweeter. This Class-D powered two-way design with rear-ring bass reflex is the smaller of the new T Series designs.

Sonically, the top-end is very well tuned, while the HPS waveguide delivers a broad horizontal sweet spot. This contributes greatly to the overall imaging and separation, which is excellent. Although the cabinet is quite deep, front to back, the units feel compact.

The low mid range frequencies could be more prominent, but this certainly isn't a deal-breaker, and by setting the LF EQ to -2dB we achieved a much better result. Adam’s desire is to make the T5V your first Adam monitor, and judging by what we’ve heard here, it could easily make you a fan for life.

Read the Adam Audio T5V review

Our expert review:

✅ Buy if you want to play your amp modeller through a set of full-range speakers: Great value and packing excellent sound, these monitors are great for pairing with a modern amp modeller.❌ Avoid if you like a lot of low-end: The smaller size means they don't push out as much low-end as some of the larger speakers that are available.

Loads of guitarists are turning to studio monitors to pair with an amp modeller for at-home practice, as they allow you to take advantage of a full-range sound that a traditional guitar amp or cab won’t give you. If you want to do this, the Kali Audio LP-6 offers excellent value and easy set-up, making them perfect for guitar players.

They feature a smooth and detailed response with an excellent stereo spread that will let you take advantage of stereo delays and reverbs. The bass extension is not quite as good as what you’d get on a larger speaker, but it is plenty for playing guitar and bass at home. We found them very comfortable for long listening periods too.

One of our favourite features is the dip switches on the rear and the handy diagrams that go with them. Each shows a possible setup of the speakers, and the corresponding settings you should set the dip switches to, allowing you to get optimal sound whether you need to place them against a wall, up on speaker stands, or on a desktop.

Read our full Kali Audio LP-6 review

The above studio monitors are the ones we recommend you spend your money on, but if for some reason you didn't find what you were looking for don't worry. We've reviewed countless pairs of studio monitors, so here's a selection of more monitors we've personally tested.

Genelec 8010A | 67Hz - 25kHz | 3" drivers | 0.75" metal dome tweeter | XLR inputAt the smallest end of the Genelec 8000 bi-amplified monitor series is the 8010A. Though relatively light (1.5kg each), the 8010As are solid thanks to the die-cast aluminium enclosure, with metal driver grilles to prevent damage in transit. Portability is key with these.MusicRadar Score: 4.5/5

Read our full Genelec 8010A review

IK Multimedia iLoud Precision 6 | 45Hz – 30kHz | 6.5” drivers | 1.5” chambered textile dome tweeter | Combo XLR / TRS inputiLoud Precision 6s is the middle monitor in the IK Precision range. They have a great set of specs, with a wide frequency range and very little variation in colour across it, so the response is flat. They employ the ARC System of calibration via a piece of software called X-Monitor to auto-adjust to your room.MusicRadar Score: 4.5/5

Read our full IK Multimedia iLoud Precision 6 review

Focal ST6 Solo6 | 40Hz – 40kHz | 6.5” driver | 1.5” Beryllium tweeter | XLR inputThe Solo6 excels in three areas. It’s incredibly honest, producing an unadulterated output that you can trust. That sound is also highly detailed, thanks mostly to the incredibly responsive, precise tweeter. Finally, there’s negligible distortion, which means we still felt fresh as a daisy even after working with them for hours.MusicRadar Score: 4.5/5

Read our full Focal ST6 Solo6 review

PreSonus Eris E8XT | 35Hz - 20kHz | 8" driver | 1.5" silk dome tweeter | XLR, 1/4" TRS, RCA inputsEris is PreSonus's most traditional speaker range and its latest update adds a distinctive EBM tweeter waveguide and elliptical boundary-modelled design that delivers both a wide horizontal and narrow vertical dispersion. The horizontal width is very obvious and we didn’t struggle to find a sweet spot handy for group listening.MusicRadar Score: 4.5/5

Read our full PreSonus Eris E8XT review

Eve Audio SC2070 | 38Hz – 25kHz | 6.5” driver | AMT ribbon tweeter | XLR / RCA inputsThe SC2070 is a 2-way speaker that combines a 6.5” woofer with a new version of its AMT (Air Motion Transformer) ribbon tweeter. At 345mm high, it’s compact enough to be a near-field, but could easily handle mid-field or multichannel duties. Sonically, they sound very open, with excellent build quality.MusicRadar Score: 4.5/5

Read our full Eve Audio SC2070 review

KRK GoAux 4 | 55Hz – 22kHz | 4” driver | 1” soft dome tweeter | TRS/RCA inputsGoAux 3 and GoAux 4 are on-the-go speakers from KRK and each kit comprises a pair of monitors in a padded travel case with space for all the extras. Each speaker has an adjustable stand, is Bluetooth capable, has built-in EQ (HF and LF), onboard headphone output, and front-mounted standby switch/level control.MusicRadar Score: 4.5/5

Read our full KRK GoAux 4 review

JBL One Series 104 | 60Hz - 20kHz | 4.5” driver | 0.75" soft dome tweeter | 1/4” TRS, RCA, 1/8” inputsThe JBL One Series 104 is a compact monitor designed for portability and convenience. It features a rear-ported design to improve low-frequency extension. Audio inputs, volume control, and amp are all in one unit, and a cable then connects to the second speaker. We found these monitors to be very well-made and durable.MusicRadar Score: 4.5/5

Read our full JBL One Series 104 review

Alesis Elevate 5 MkII | 56Hz - 20kHz | 5” driver | 1" silk dome tweeter | RCA, Stereo TRS inputsWhen we tested these with reference listening in mind, we found that the 40 watts that the 5" driver and 1" high-frequency tweeter kicked out were more than adequate when mixing in a smaller room. The Elevate 5 set performs well across a range of listening situations and would make a superb addition to any studio.MusicRadar Score: 4/5

Read our full Alesis Elevate 5 MkII review

MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test.

Studio monitor speakers come in a huge variety of shapes, sizes and types, so it’s worth exploring some of the options available to you when searching for the best studio monitors.

First up, you need to think about amplification. The electrical signals coming out of a home studio mixer or audio interface are fairly weak, which means monitors need the help of an amplifier. That amplifier can either be incorporated within the speaker itself - something you’ll find in active monitors - or used separately and externally, alongside passive speakers.

The layout of speakers themselves is crucial too. A classic two-way speaker employs one woofer, dedicated to producing low frequencies, and a tweeter that kicks out high-mid and high frequencies. The signals are separated by a crossover filter which splits the input into low and high bands. In monitor designs at the cheaper end of the spectrum, this crossover point sits at a crucial midrange area, so many higher-end monitors feature three-way (or even four-way) designs that employ more speaker drivers, aiming to keep those key midrange frequencies free of crossovers and so are clearer.

Size matters; as a general rule, the bigger the monitor, the more power it can output, and the more bass frequencies you can expect it to kick out. Your room’s size and how well acoustically treated it is will also determine the size of monitor it can handle: big, loud monitors can easily overload a small space.

Listening distance is an important factor to consider too. Nearfield monitors are designed to be placed fairly close to the listener’s ears in a typical home studio. Midfield monitors, on the other hand, should be placed further away, at a further distance apart, in a bigger room.

Lastly, if you find yourself in a professional studio, you’ll usually find giant, full-range monitors, referred to as mains. Monitor sizes are based on the woofer diameter. For a nearfield monitor, this can range from three inches to eight inches. For most small to medium rooms, nearfields are more than adequate.

If you opt for active monitors, they usually feature jack, XLR, phono, digital and/or USB connections, which are designed to be hooked straight into your audio interface or computer. If your interface has balanced outputs, opt for your monitors’ balanced XLR or jack input to reduce unwanted noise.

When working with passive monitors, you’ll need to send your interface or computer output to a separate external amplifier and then connect that to your monitors. At the very least, active monitors also include a level control, while room-compensating EQ controls are also common.

Studio monitors should reveal everything about your music in as truthful a way as possible. They should therefore have a completely flat frequency response, that is not coloured or enhanced in any area, so what you hear being played is the actual mix in all its glory. You can then make correct mix decisions based on this true response (reduce volume levels, or EQ certain parts, for example). If your studio monitors don't have a flat frequency response and are, say, enhanced at the bass end, you will hear too much bass so reduce it while mixing and your mixed track will sound bass light on any other playback system.

The wider the quoted frequency response the better, as the speakers will deliver all the highs and lows you will expect from your music. While this can be tested electronically, another option is to test studio monitors with reference music – our own trusted mixes of music that we know very well – where we can tell if any areas of the frequency spectrum have been enhanced or reduced. Hearing every detail in a well known mix is the target for a great set of studio monitors.

During our playback tests we also test speaker design elements like bass ports which reduce low end distortion, and the rigidity of the cabinets which can help deliver tight transients or, if less well constructed, more flabby playback responses.

At this stage we also test for the stereo width of the monitors – how well spread the stereo signal is between left and right speaker – and also the 'sweet spot'. This is the ideal listening position to enjoy the best sound from the speakers and the better studio monitors feature design elements to increase the size of this sweet spot. This means you aren't so limited in your listening position or can have more than one person monitoring a mix at the same time.

Read more about how we test music making gear and services at MusicRadar.

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Andy has been writing about music production and technology for 30 years having started out on Music Technology magazine back in 1992. He has edited the magazines Future Music, Keyboard Review, MusicTech and Computer Music, which he helped launch back in 1998. He owns way too many synthesizers.

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